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    Enedina Alves Marques: A Black Brazilian Hidden Figure

    By SedJune 8, 20243 Mins Read
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    In the last decade, there has been a greater recognition and appreciation for the important historical contributions of Black women in STEM (Science, Technology, Engineering, and Mathematics). 

    Facing racial and gender obstacles, as well as systematic exploitation of their skills and labor, scientists like NASA employees Katherine Johnson, Dorothy Vaughan, and Mary Jackson, represent thousands of other women of color whose contributions are only recently receiving the attention they deserve. These three were the protagonists in the 2016 film, “Hidden Figures.” 

    As we search for more hidden stories, we can add Enedina Alves to the list.

    Born on January 13, 1913, Enedina Alves was the first Black woman to graduate in Engineering in Brazil, being the fifth woman to complete an engineering course in the country and also the first to graduate in Civil Engineering in the South of the country.

    As a young child, her single mother took a job as a live-in domestic worker for a military Major in the Southern State of Parana. Because she was the same age as his daughter, he paid for her studies at a private school so she could keep his daughter company. At age thirteen, she graduated and gained acceptance to a technical high school which she paid for herself by working as a domestic laborer and nanny in elite homes.

    After graduating, Enedina started a job as a teacher while dreaming of studying engineering at a university. Less than 50 years after the abolition of slavery in Brazil (1888), she did the impossible and in 1940, she infiltrated a class made up only of white men. In the post-abolition society,  there were no public policies or educational quotas to support her. Additionally, she lived in a region populated majorly by European descendants.

    Jobs for women were limited to low-wage teachers or factory workers. In spite of these obstacles, she persisted. At the age of 32, she graduated in Civil Engineering, becoming the first woman to obtain a university degree in the state of Paraná and the first Black engineer in Brazil.

    Foto: Fundação Palmares)

    A year after graduating, in 1946, she began working at the State Department of Transportation and Public Works, as an engineering assistant. She worked her way up through the industry eventually moving up to the State Department of Water and Electric Energy. Her main project was the State’s Hydroelectric Plant linking three major rivers, which today is considered to be one of the main projects developed by Enedina.

    Foto: Fundação Palmares)

    The Capivari-Cachoeira Plant (Photo: Governo do Paraná )

    Known as a well-dressed professional in her public life, on the construction site, however, she wore men’s overalls with a large belt. In this belt, Enedina always carried a pistol. In a male-dominated field, her voice was not respected. So her solution was to let off a shot in the air to frighten the men whenever they ignored or disrespected her authority. 

    In 1962, Enedina retired from the government of the state of Paraná with a large pension due to her monumental achievements.

    Enedina died in 1981, aged 68, from a heart attack.  She never married or had children, leaving no close relatives.

    Almost three decades later, in 2006, the Enedina Alves Marques Institute of Black Women was founded in the city of Maringá (PR). The institute strives to combat racial discrimination in science and engineering educational and professional sectors. In 2020, a documentary of her life was released, called “Além de Tudo, Ela” (Above it all, her).

    Enedina Alves Marques Karen Hunter Thehub.news
    Sed
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    An expat now living in Northeast Brazil, Sed Miles works hand in hand with working-class, Afro-Brazilian artists, activists and intellectuals fighting against Brazil’s systematic racial and class barriers using a Pan-African, intersectional pedagogy. Each week they will present dispatches from the archives that will bridge communities and be a resource for the future. The mission of the Archives is to help unite the Black diaspora through documenting, preserving, and sharing stories that represent the shared themes and experiences of working class Black people. The series will focus on Brazil and the United States, societies built and held together by generations of Africa’s unshakable children.

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    The Theology Behind Rev. Jesse Jackson Telling America’s Children to Say: “I Am Somebody”

    By Dr. Stacey Patton

    These Are The People in the Epstein Files Who Still Have Jobs

    By Pari Eve

    A Black Actor Says Harvard’s Repertory Theater Left Her With Permanent Hair Loss

    By Veronika Lleshi

    New Exhibit Honors the Work of Political Artist Emory Douglas

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    The Theology Behind Rev. Jesse Jackson Telling America’s Children to Say: “I Am Somebody”

    By Dr. Stacey Patton

    These Are The People in the Epstein Files Who Still Have Jobs

    By Pari Eve

    A Black Actor Says Harvard’s Repertory Theater Left Her With Permanent Hair Loss

    By Veronika Lleshi

    New Exhibit Honors the Work of Political Artist Emory Douglas

    By Veronika Lleshi

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