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    TheHub.news
    Injustice

    “Protect Black Women” Shouldn’t Be So Controversial

    By Kyla Jenée LaceySeptember 8, 20233 Mins Read
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    A woman was hit in the side of the head with a brick for rejecting a man’s advances and the misogynist side of Black Twitter did everything in its power to justify why no one should have stepped in to protect her, including the men who stood around and did not intervene.

    Part of their justification was to go and dig up videos of her saying that her mission was to protect Black women and that was where her allegiance lies. Out of context, it is easy to feel detached from wanting to protect her, but in context, it is completely understandable why she would say that because, well, many times, Black women are the only ones who protect each other, and misogyny is a craft that many demographics happily delight in. 

    https://twitter.com/freauxmama/status/1698431412410397066?s=20

    Yesterday, I saw a video clip of a poem called “I Don’t Owe You Sh-t,” spliced with numerous clips of Black women announcing that they didn’t, in fact, owe anyone sh-t. I saw this mashup posted in the comments on several tweets from the Passport Bros. and from Tariq Nasheed, the ashy part of Twitter. The poem was actually inspired by someone groping and sexually harassing the poet. I know this because I am the one who wrote it, and somehow, me saying that I do not owe someone my body simply because they want it devolved into me not being deserving of protection as well. Many people’s justification for not stepping in to help the woman was not only do they not owe a stranger protection, but they have families to go home to, which is understandable, until it’s their family member in need of that very protection they are not on-site to provide. The assumption that your family members will always be guarded by your protection and never in need of the protection of strangers and their community, as a whole, is delusional and intellectually dishonest at best.

    Just days after the woman was hit in the face with a brick, there was a Black woman in her 60s who was beaten with her own cane by a white man on the subway, and no one intervened. No one saw the value in protecting her because protecting Black women is not a necessity.

    The same women online this entire decade declaring to men that they don't owe them shit:
    Well, guess what if thats true we dont owe you anything either either. pic.twitter.com/UAK0Jj9yli

    — paid2cook (@liveIIcook) September 4, 2023

    When Black men are unjustly harmed, racist white people run to whatever sources they can find to dig up whatever in the past they can to justify why that person no longer has a future.  There is always an attempt to discredit the victim, but they never dig far into the past of the perpetrator. This is exactly what the internet did to justify a woman being hit in the face with a brick. We often look for perfect victims in imperfect people. In a world where Black people rejoiced at the physical defense of a Black security guard moving a boat, we all collectively understood the importance, but even simply speaking up for a Black woman involved too much bravery.

    The irony of my poem being edited and adulterated to further the narrative that Black women do not need protection is that the man who posted it under these Black men’s comments for them to eat it up was, in fact, a Trump-loving white man, because, if there’s nothing racist white people and misogynistic Black men have in common, is that they both believe Black women should be at their feet, so it’s easier to kick us, if we step out of line.  

    Kyla Jenée Lacey Rho Bashe Thehub.news
    Kyla Jenée Lacey

    Kyla Jenée Lacey is an accomplished third-person bio composer. Her spoken word has garnered tens of millions of views, and has been showcased on Pop Sugar, Write About Now, Buzzfeed, Harper’s Bizarre, Diet Prada, featured on the Tamron Hall show, and Laura Ingraham from Fox News called her work, “Anti-racist propaganda.”. She has performed spoken word at over 300 colleges in over 40 states. Kyla has been a finalist in the largest regional poetry slam in the country, no less than five times, and was nominated as Campus Activities Magazine Female Performer of the Year. Her work has been acknowledged by several Grammy-winning artists. Her poetry has been viewed over 50 million times and even used on protest billboards in multiple countries. She has written for large publications such as The Huffington Post, BET.com, and the Root Magazine and is the author of "Hickory Dickory Dock, I Do Not Want Your C*ck!!!," a book of tongue-in-cheek poems, about patriarchy....for manchildren.

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    Sonic Sovereignty: Reclaiming the Masters, Preserving the Legacy, Part 2

    By Danielle Bennett

    Lawsuit Accuses Game Giants of Profiting From Addiction

    By Veronika Lleshi

    Now That State Terror Has Crossed the Color Line, Do White Folks Finally Believe Us? History Has Notes.

    By Dr. Stacey Patton

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