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    Did You Know the First African-American Ballerina in the Metropolitan Opera Was Born On This Day?

    By Shayla FarrowMarch 7, 20252 Mins Read
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    A vintage 5 1/8" X 6 1/2" inches photo from 1951 depicting Janet Collins receiving a kiss from Zachary Solov, Met's chief choreographer and ballet master.(In 1951 Janet Collins became the first black prima ballerina to perform with the Metropolitan Opera Ballet in New York City) Image credit: Wikimedia Commons
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    This Day In History: March 7th

    As a prominent performer, famed ballet dancer and choreographer Janet Collins broke color barriers in the 1950s. Collins’ elegant dance moves earned her recognition as a prominent figure in classical ballet.

    Janet Collins was born in New Orleans, Louisiana on March 7, 1917. Her family relocated to Los Angeles, where she took private dance lessons at a community center. She also received dance instructions from Carmelita Maracci, who was one of few dance teachers during the time to accept Black students.

    During her lessons, she took an interest in classical ballet, modern and ethnic dance. Collins was offered a position with Ballet Russe de Monte Carlo, but she declined because the company wanted her to hide the fact that she was African-American. Despite her setback, Collins appeared in her first performance as a theatrical dancer in 1940. In 1943, she performed with Katherine Dunham’s troupe and danced in the musical film Stormy Weather. 

    Collins made her debut New York performance in 1949, and she was named an outstanding debutant by Dance Magazine. She was featured in the musical Out of This World and received the Donaldson Award for best Broadway dancer. After her appearance in the musical, Collins caught the attention of Zachary Solov, the ballet master of the Metropolitan Opera House at the time. 

    Collins joined the Corp de Ballet in 1951 before moving on to her historic role with the opera. Her talent led her to become the first African American prima ballerina with the Metropolitan Opera in 1952. She danced in lead roles and her choreography included solo and group performances. Collins also appeared on early television variety shows and remained with the Metropolitan Opera until 1954. 

    Although Collins found success performing in New York, she was not immune from the racism she endured while touring in the South. She performed at select venues as a solo dancer across Canada and the United States. In addition to touring, Collins began preparing a new generation of dancers while working as an instructor at the School of American Ballet, San Francisco Ballet School, and the Harkness House. Collins died on May 28, 2003, in Fort Worth, Texas.

    Ballet Janet Collins Thehub.news This Day in History
    Shayla Farrow

    Shayla Farrow is a multimedia journalist with a Media, Journalism and Film Communications degree from Howard University and a master’s degree in management from Wake Forest University. Shayla discovered her passion for journalism while working as a reporter with Spotlight Network at Howard University. She worked with other campus media, including NewsVision, WHBC 96.3 HD3, WHUR-FM, 101 Magazine, and the HU News Service. Her reporting abilities earned her opportunities to interview industry professionals including Cathy Hughes, movie director Malcolm D. Lee and creator of “David Makes Man,” Tarell Alvin McCraney. Shayla intends to leave her mark in journalism by broadcasting radio and television shows that cover a wide array of topics ranging from politics and social justice issues to entertainment and pop culture. She has worked on a variety of shows, including the Wendy Williams Show, The Joe Madison Show, and The Karen Hunter Show as well as worked as a producer for the NBC News Channel. However, her ultimate career goal is to own a television and audio entertainment platform that provides quality content to viewing and listening audiences.

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    From Trailblazers to Blockbusters: A 5-Film Evolution of Black Cinema

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    From Trailblazers to Blockbusters: A 5-Film Evolution of Black Cinema

    By Danielle Bennett

    Economic Empowerment Has Always Been a Part of Black History

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