Floyd Norman’s story is one of quiet brilliance, perseverance, and historic impact within American animation. Born in 1935 in Santa Barbara, California, Norman grew up loving to draw at a time when few Black artists could imagine a future inside major studios. His talent, discipline and determination would eventually place him at the heart of one of the world’s most influential creative institutions.

In 1956, Floyd Norman became the first Black animator hired by The Walt Disney Company, a groundbreaking achievement during the Jim Crow era. Entering Disney Studios just before the release of Sleeping Beauty (1959), Norman worked as an in-betweener and later as a storyboard artist, contributing to films that shaped generations of viewers. His presence alone challenged long-standing racial barriers in Hollywood and animation.

Norman’s career at Disney was not without difficulty. He worked in an industry where Black artists were largely invisible and advancement was limited. Yet he continued to push forward, relying on excellence and consistency as tools of resistance. Over time, his work earned respect and he became known not only for his artistic skill, but also for his deep understanding of story, character and humor.

After leaving Disney, Norman expanded his influence across the animation world, working on projects such as Sesame Street, Fat Albert, The Proud Family and Mulan. He later returned to Disney, contributing to projects including Toy Story 2 and mentoring younger artists along the way. His career spanned more than six decades, bridging the golden age of hand-drawn animation and the modern digital era.

Beyond his drawings, Floyd Norman’s legacy lies in what he made possible. By simply walking through Disney’s doors and staying, he opened space for future generations of Black animators and storytellers. His life affirms that Black genius is not confined to the margins of culture. It shapes the stories we all grow up with.

Rev. Dr. Otis Moss III is Senior Pastor of Trinity United Church of Christ in Chicago and a leading voice in Black theology, social justice, and prophetic preaching. His ministry addresses mass incarceration, environmental justice, and economic inequality through faith-centered activism. A graduate of Morehouse College, Yale Divinity School, and Chicago Theological Seminary, he is the author of Blue Note Preaching in a Post-Soul World. Dr. Moss is a nationally recognized speaker and Root 100 honoree, known for engaging audiences across generations.

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