Jamila Norman, a first-generation daughter of Caribbean parents with a deep-rooted history in agriculture, is a prominent figure among Black urban farmers and in the food activism scene. 

After finishing an environmental engineering degree from the University of Georgia, Norman spent a decade at the State of Georgia’s Environmental Protection Division before embarking on a mission to transform her community’s food landscape.

While in Atlanta, Norman noticed the prevalence of food deserts in her community. Food deserts are areas where people need more access to affordable, healthy food, like fresh fruits and vegetables, because there are few or no grocery stores, farmers’ markets, or other sources of fresh food nearby. 

“I moved to Atlanta and noticed the lack of access to fresh, healthy food in my neighborhood, West End,” she says. “This inspired me to start growing food in partnership with others in the community. In 2010, we founded Patchwork City Farms on a one-acre property.”

Continuing the Legacy of Our Ancestors

Statistics on Black urban farmers are limited due to underreporting and lack of specific data. However, the USDA notes a rise in urban agriculture over the past decade, driven by food insecurity, climate change, and urbanization. 

This trend accelerated after COVID-19 as people sought to mitigate food supply disruptions. Norman started as a Black urban farmer earlier than most but wouldn’t call herself a pioneer. 

“I see it more as continuing the legacy of our ancestors and community. My business partner at the time and I were perhaps the most visible at the time because we weren’t uncomfortable in predominantly white spaces.” 

Norman and her business partner, Cecilia Gathu, took over a project at Brown Middle School, where a nonprofit had started gardening and food distribution for the local community under a contract with Atlanta Public Schools. After the nonprofit volunteers burned out, Norman and Gathu stepped in. 

“We took over the contract and founded Patchwork City Farms as an LLC, just as a business,” Norman explains. “It took us eleven months working with Atlanta Public Schools to transfer the lease from the nonprofit to Patchwork City Farms. That was our first farm site.”

Atlanta’s relaxed rules allowed farming on private property or with the owner’s permission, but beyond that, city support was minimal. Norman and Gathu had to rely on their families’ agricultural backgrounds. 

“My great-grandparents farmed in Jamaica and Trinidad, but after two generations, left the farm to find better opportunities, as many families did. We just found ourselves coming back to it. Cecilia, who’s Kenyan, had grandparents who farmed in Kenya before her family came to America. We were the generation that picked it back up.”

In the early stages, Norman leaned on various resources. “I did a lot of reading. I always knew I wanted to grow food for myself, thinking it would come later in life, but it found me sooner. All that knowledge I had gathered for ‘one day’ became valuable and helped guide us. So we just went for it. We read, watched YouTube videos, and then worked hard.”

By Stephanie Teasley

Continue reading over at Cuisine Noir.

From great and amazing wine to travel with a purpose, Cuisine Noir Magazine delivers what readers are looking for which is more than where to find the next great meal. And most importantly, it is a culinary publication that complements readers’ lifestyles and desire for a diverse epicurean experience. As the country's first digital magazine that connects the African diaspora through food, drink and travel, Cuisine Noir's history of highlighting the accomplishments of Black chefs dates back to 1998 with its founder Richard Pannell. It later made its debut online in October of 2007 and again in September 2009 with a new look under the ownership of V. Sheree Williams. Over the last ten years, Cuisine Noir has gained global recognition for pioneering life and industry-changing conversations that have been nonexistent in mainstream food media outlets for more than 40 years. In 2016, it received one of its biggest honors by being included in the Smithsonian Channel video on the fourth floor of the National Museum of African American History and Culture Museum (NMAAHC) about the contributions of African Americans to American cuisine.

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