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    Home»News & Views»Opinion»Make Me Lose My Breath; Make Me Coloured
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    Make Me Lose My Breath; Make Me Coloured

    By Kyla Jenée LaceyNovember 27, 202306 Mins Read
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    Screenshot from Tyla's Official Instagram Page
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    Has the R&B world crowned a new Supreme? Not quite, but someone who is in the running for the top spot is South African phenom Tyla, whose one international hit has catapulted her into fame, and has made her the 138th most listened to artist on Spotify, which again, considering she only has one song that has charted globally, is a big deal. While she already had some success in her home country, it was still a relatively meteoric rise for the 21-year-old. Though it seems that she has been accepted with open arms by Black American audiences, how to classify her has been the topic of much debate, causing yet another diaspora war between Black Americans and South Africans on twitter.

    In South Africa, Tyla is considered ‘coloured,’ (a term describing people of mostly African heritage but mixed with European and Asian ancestry), but many Black Americans take offense to the term, and understandably so. The term ‘coloured/colored’ invokes a lot of painful memories from a not very distant past for many Black Americans. While I did not grow up in the Jim Crow South when the term was ubiquitous and used to codify racism, one of my parents did, and both are old enough to have survived the term and the trauma that was dedicated with its utterance.

    At one point the term was generally accepted as the go-to reference for Black people, it was also a term that was designated with the express intent to segregate. Even now, it is hard to see the word and not have the residue of “whites only,” lingering in the back of one’s mind. However, in South Africa it is viewed as a neutral term of classification for a group of people who have mixed ancestry. The racial breakdown of coloured people is quite similar to the genetic breakdown of most African Americans-save about 10 percent of their genetic makeup being Asian. Many pictures of South African coloureds can easily be the pictures of any light skinned Black family, with differences even slighter than the complexions.

    The term coloured became a distinct racial classification under the apartheid regime-just as it had in the Jim Crow South, before the term was abandoned in the U.S. Like any other country with colonialism being law, miscegenation is prevalent, and South Africa, with its racism being the directive, was no exception, creating a distinct group of multi-racial and multi-ethnic people, and Tyla is firm about this being her classification. While the term may be universal, its connotation is clearly not. 

    None of us have the right to invalidate what a term means for another group in a language that is neither of ours, but to say that there is not trauma involved in the word, on both sides of the ocean, is intellectually dishonest. Without experiencing the culture firsthand, it is unfair to say that South African usage of it is unjustified, but having enough knowledge of how racial classifications and white supremacy usually engage with each other-especially under a regime that literally means separation-it is hard to not take offense. Additionally, does it create a safe space for mixed/coloured people who want to disassociate from their African ancestry-even if subconsciously-due to the marginalization of Blackness, and the privilege associated with white adjacency? As a Black American, it is easy to understand why many other Black Americans are reluctant to accept the term, a term that is not only derogatory here, but in other places as well.

    While some South Africans have compared the usage of the term to Blacks celebrating Thanksgiving or the usage of the term “nigga,” those are both false equivalencies. The historical myth and elementary celebration of Thanksgiving is absolutely offensive, but fortunately having children dress up as Pilgrims or “Indians,” with headdresses made of thumb outlines is a becoming a thing of the past. The root of the holiday stems from the celebration of the harvest, which many indigenous continue to celebrate, while others understandably reject the holiday fully. For African American slaves, Thanksgiving was particularly important.  It was one of the few days that slaves saw some reprieve from the fields and were permitted to commune with relatives on different plantations. Because of the relaxed holiday schedules of many slave catchers, it was also the day many chose to escape. The use of coloured as a racial classification from a government that was built on discrimination, is no better a myth of racial harmony than Thanksgiving.

    In South Africa, the term ‘kaffir,’ is about as derogatory as ‘nigger,’ but has much more innocuous beginnings, originally meaning a non-believer (of Islam), as it is used in the Qu’ran. It is a racial slur directed towards Black and coloured people in South Africa. However, it is so detestable in South Africa that is illegal to use in a derogatory manner, but this does not stop it from being used often in popular music just as the word, “nigga,” is here. What it does mean though, is that Black American culture is so pervasive that it is an easy argument to make with little pushback, due to the lack of knowledge that many Black Americans have about music outside of the states. Does that also mean that Muslims should disregard the painful meaning the word has to South Africans?

    Time will only tell if Tyla becomes an international superstar, with a fame cemented as firmly as the likes of Rihanna or Beyonce, but her stardom won’t change the harmful history associated with the word coloured. While the global musical culture does not revolve completely around the American musical zeitgeist, to say that Black American culture and acceptance musically is not a giant part of the market and marketing is a lie. While I do not feel comfortable calling her coloured, I do not feel comfortable calling her Black either. While Black Americans become increasingly mixed, Black Americans with less of a mixed ancestry are facing an erasure, and while they set the trends, they are decreasingly becoming the ones who model or profit from them. At the end of the day, Black is not a catchall or a consolation prize for mixed people who are not accepted by their ‘other,’ parts or themselves.

    apartheid R&B Slavery South Africa Thehub.news Tyla
    Kyla Jenée Lacey

    Kyla Jenée Lacey is an accomplished third-person bio composer. Her spoken word has garnered tens of millions of views, and has been showcased on Pop Sugar, Write About Now, Buzzfeed, Harper’s Bizarre, Diet Prada, featured on the Tamron Hall show, and Laura Ingraham from Fox News called her work, “Anti-racist propaganda.”. She has performed spoken word at over 300 colleges in over 40 states. Kyla has been a finalist in the largest regional poetry slam in the country, no less than five times, and was nominated as Campus Activities Magazine Female Performer of the Year. Her work has been acknowledged by several Grammy-winning artists. Her poetry has been viewed over 50 million times and even used on protest billboards in multiple countries. She has written for large publications such as The Huffington Post, BET.com, and the Root Magazine and is the author of "Hickory Dickory Dock, I Do Not Want Your C*ck!!!," a book of tongue-in-cheek poems, about patriarchy....for manchildren.

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    This Day in History: September 19th

    By TheHub.news Staff

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