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    Louverture Exchange: Black Legacy Through Music

    By TheHub.news StaffOctober 13, 20223 Mins Read
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    Cincinnati native Napoleon Maddox will present excerpts from musical and spoken word works in collaboration with Tronee Threat and the World House Choir on Thursday, Oct. 13. Maddox is pictured dressed as Haitian Revolution leader Toussaint Louverture at Château de Joux, where Louverture was imprisoned and died. Maddox composed “L’Ouverture de Toussaint,” a portion of which will be performed in Yellow Springs, about Louverture. (Music video still)
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    History, generational struggle and legacy will be the unifying themes of “Louverture Exchange: A Musical Dialogue,” a performance featuring the World House Choir, hip-hop artist and local resident Tronee Threat and headlined by international performer Napoleon Maddox on Thursday, Oct. 13.

    The performers will also hold discussions and educational events for students at Antioch College and Yellow Springs Schools on Monday and Tuesday, Oct. 10 and 11.

    The News spoke with Maddox, Tronee Threat and World House Choir Director Cathy Roma over the last several weeks in the lead-up to the performance.

    Maddox, a Cincinnati native currently living in France, has a performing career spanning several decades that includes hip-hop, jazz, blues, funk and theater. He is a founding member of the Cincinnati hip-hop trio iSWHAT?!, and went on to form the Franco-American duo Sorg & Napoleon Maddox with French beatmaker Sorg.

    Working with Sorg, in 2017 Maddox created a musical and visual piece, “Twice the First Time,” which employs jazz, hip-hop, spoken word and scenography to tell the story of famed 19th-century conjoined twins Millie and Christine McKoy; Maddox will perform excerpts from “Twice the First Time” during his Yellow Springs appearance.

    The McKoys — who often signified their movement through life in a shared body by stylizing their names as Millie-Christine — were born enslaved in Whiteville, N.C. in the mid-19th century. The pair were, at different points in their enslavement, sold and kidnapped and compelled to work as sideshow performers. Following their emancipation from enslavement, the women continued to perform for much of their lives, and were known around the world as “The Carolina Twins” before their deaths at age 61.

    “Twice the First Time” examines the exploitation of the McKoys, setting their story upon the foundation of their enslavement, ruminating on how the sisters maintained their dignity and autonomy despite being objectified and posing queries about how they would view and interact with the modern world.

    Maddox told the News that he chose the McKoys as subjects for his work not only because of a family connection — they are his great-grand aunts — but because of an artistic connection to the lives they led.

    “Their story has some parts that are difficult, but they also have a story that we can be proud of,” he said. “Where I always go for inspiration is … ‘What is there for me to learn from this story? And how can I personalize it? … Then when I start to create, I have something to offer the audience.”

    One thing audiences can glean from the McKoys, he said, is perseverance in the face of persecution — a thematic element also present in his 2021 performance work, “L’Ouverture de Toussaint,” excerpts from which he will perform in Yellow Springs as well.

    Continue reading over at Yellow Springs News.

    Words by Lauren Shows.

    Louverture Exchange Thehub.news Yellow Springs News
    TheHub.news Staff
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    Did You Know Activist Fannie Lou Hamer Was Born on This Day?

    By Shayla Farrow

    “We Belong Here” Is a Reminder That Black Women Excel in Volleyball

    By FirstandPen

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    By TheHub.news Staff

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    Did You Know Activist Fannie Lou Hamer Was Born on This Day?

    By Shayla Farrow

    “We Belong Here” Is a Reminder That Black Women Excel in Volleyball

    By FirstandPen

    Haiti’s 4-1 Win Over the Dominican Republic Ends With a Stadium Ban

    By TheHub.news Staff

    Black Workers Are Bearing the Brunt of America’s Weakening Job Market

    By Veronika Lleshi

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