The release of the single ” Os Pretos no Devido Lugar ” (Blacks in Their Rightful Place) on May 31, 2024, marked a significant cultural moment in Brazil and internationally. 

The track, featuring a collaboration of twelve prominent Afro-Brazilian artists, was produced by DJ Murilo and LT no Beat. This musical project pays tribute to the footballer Vinicius Jr. while simultaneously addressing the pervasive issue of racism in Brazilian society.

Among the artists featured in the single are Ludmilla, Ice Blue (Racionais MC’s), MC Livinho, MC Ryan SP, MC Davi, Vulgo FK, MC Hariel, MC IG, MC Don Juan, MC Kelvinho, MC Kadu and MC Luki.

Vinicius Jr., a star player for Real Madrid, has been at the center of a series of racial abuse incidents, which have brought to light the enduring problem of racism in sports. 

His high-profile experiences with racism as an elite athlete have galvanized this collective of artists to create a track that not only celebrates Black pride and resilience but also stands as a form of protest against systemic racism and oppression.

The title of the single, which translates to “Blacks in Their Rightful Place,” reflects a demand for respect and recognition of Afro-Brazilian culture and contributions.

Ludmilla, a major figure in Brazilian music and an outspoken advocate for Black rights lends her voice and influence to the project.

Her involvement is particularly notable given her recent international exposure, such as her opening performance at Beyoncé’s “Renaissance” film premiere in Salvador, Bahia.  

Ice Blue, a member of the legendary group Racionais MCs, brings historical and cultural weight to the project. His career has long been dedicated to addressing social issues through music.

The single’s release was accompanied by a coordinated social media campaign featuring videos of the artists and endorsements from public figures like Anielle Franco, Brazil’s Minister of Racial Equality, and actress Taís Araújo.

These testimonials highlight the broader social and political ramifications of the project. 

For instance, Ludmilla’s powerful line in the song, “You have to accept, you have to respect, you’ll have to put up with it, it’s the black one at the Top!” asserts Black empowerment and defiance against discrimination.

Vinicius Jr.’s connection with Jay-Z, who manages him through Roc Nation Sports, adds another layer of significance to the project. Their friendship, which was notably celebrated during the 2024 Champions League final, exemplifies the intersection of music, sports and activism.

This single is not just a musical endeavor; it is a cultural statement against systemic racism in Brazil.

The racial abuse Vinicius Jr. has faced has been widely reported, with one of the most notable incidents occurring during a match between Real Madrid and Valencia in the Spanish La Liga. Fans directed monkey chants at him, leading to a significant outcry from the global community and prompting responses from prominent figures and institutions.

The Brazilian government, along with various international organizations, condemned the abuse, and there were calls for more stringent measures to combat racism in football.

In the context of this ongoing struggle, “Set Vini Jr. – Os Pretos no Devido Lugar” stands as a form of artistic resistance. The collaboration of such a diverse and influential group of artists underscores the unity and collective resolve of the Afro-Brazilian community to confront and challenge racism. The involvement of artists from different musical backgrounds, from funk to rap to samba, reflects Brazil’s rich cultural tapestry and the powerful role of music in social movements.

The significance of this project extends beyond the immediate context of Vinicius Jr.’s experiences. It taps into the broader history of racial inequality in Brazil, where Afro-Brazilians have long faced systemic discrimination despite their profound impact on the nation’s culture and identity. By bringing together leading figures in the music industry, this single not only amplifies the message of racial justice but also serves as a rallying cry for continued activism and solidarity.

The inclusion of artists like Ludmilla and Ice Blue is particularly impactful. Ludmilla’s career has been marked by her bold stance on racial and gender issues, making her a fitting voice for this project. Her participation brings significant visibility to the cause, given her widespread popularity and influence. Ice Blue’s involvement brings a historical perspective, reminding listeners of the long-standing fight against racism and the role of music as a tool for social change.

The social media campaign accompanying the release of the single played a crucial role in spreading its message. By featuring videos of the artists and endorsements from high-profile public figures, the campaign ensured that the project reached a wide audience.

The involvement of Anielle Franco, Minister of Racial Equality and actress Taís Araújo, both prominent figures in the fight for racial justice in Brazil, added significant weight to the campaign.


An expat now living in Northeast Brazil, Sed Miles works hand in hand with working-class, Afro-Brazilian artists, activists and intellectuals fighting against Brazil’s systematic racial and class barriers using a Pan-African, intersectional pedagogy. Each week they will present dispatches from the archives that will bridge communities and be a resource for the future. The mission of the Archives is to help unite the Black diaspora through documenting, preserving, and sharing stories that represent the shared themes and experiences of working class Black people. The series will focus on Brazil and the United States, societies built and held together by generations of Africa’s unshakable children.

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