Wednesday evening (Aug. 27), after a crushing loss at the U.S. Open, Latvia’s Jelena Ostapenko proved that she was a real loser by deciding to hurl thinly veiled racist insults at her opponent, the winner, and a Black woman, Taylor Townsend. After Townsend’s win, she proceeded to shake Ostapenko’s hand, but without the customary, not regulatory, apology that is accompanied by winning a tennis match due to a net ball. A net ball is essentially a ball that hits the net, and because hitting the net changes the speed and possible direction of a ball, it is difficult for the opponent to return the hit. The apology is more of a sign of politeness rather than a sincerity, and Townsend, who would’ve won regardless, aired on the side of being real.

Subsequently, Ostapenko demanded a fake apology from Townsend, causing Townsend to respond that she didn’t owe Ostapenko an apology, setting Ostapenko off into an even more pungent shit-spiral.

According to Townsend, during the exchange, Ostapenko told her that she had “no class,” and “no education and to see what happens when we get outside the U.S.” The agony of defeat probably made Ostapenko forget about her loss to Townsend in Toronto, which is outside the U.S., just a year ago. While Townsend and her partner, Katerina Siniakova, are ranked number 1 together in doubles, Townsend’s highest single’s ranking has been 46, while Ostapenko’s has been 5, so that could possibly be why she’s so salty. When your sense of self is comforted by the notion that even your worst is better than Black people, giving your best, and not getting the desired result, is jarring for people who believe in Black inferiority.

During the exchange, the one accused of not having class responded to the LOSER, “whatever you want to say, but you can learn how to take a loss better. ‘Thank you so much. Great job. Great play. However, Ostapenko’s apology tour has already gotten off to a rocky start when she responded to the backlash via Instagram, digging deeper into the clay of her despair and lack of class.

“Today after the match I told my opponent that she was very disrespectful as she had a net ball in a very deciding moment and didn’t say sorry, but her answer was that she doesn’t have to say sorry at all. There are some rules in tennis which most of the players follow and it was first time ever that this happened to me on tour. If she plays in her homeland it doesn’t mean that she can behave and do whatever she wants.”

While tennis may be a rich person’s sport, being a tennis champion doesn’t require a master’s degree. Ostapenko’s jabs are plain and simple, coded language. Berating someone because you lost, and then telling them they lack class, is certainly a bold choice, but referencing her having no education is even harder to explain away. From Althea, to Serena, to Venus, Naomi, Coco and Taylor. Black women have come into the sport of tennis and have been kicking ass and taking names. When you have established yourself as the standard of class and poise, anything that offends you is beneath that standard.

Tradition be damned, Ostapenko wanted Townsend to grovel after her win, and Townsend took that away from her, leaving Ostapenko’s chances of winning the U.S. Open officially U.S. Closed.

Kyla Jenée Lacey is an accomplished third-person bio composer. Her spoken word has garnered tens of millions of views, and has been showcased on Pop Sugar, Write About Now, Buzzfeed, Harper’s Bizarre, Diet Prada, featured on the Tamron Hall show, and Laura Ingraham from Fox News called her work, “Anti-racist propaganda.”. She has performed spoken word at over 300 colleges in over 40 states. Kyla has been a finalist in the largest regional poetry slam in the country, no less than five times, and was nominated as Campus Activities Magazine Female Performer of the Year. Her work has been acknowledged by several Grammy-winning artists. Her poetry has been viewed over 50 million times and even used on protest billboards in multiple countries. She has written for large publications such as The Huffington Post, BET.com, and the Root Magazine and is the author of "Hickory Dickory Dock, I Do Not Want Your C*ck!!!," a book of tongue-in-cheek poems, about patriarchy....for manchildren.

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