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    Cuisine Noir

    For the Love of Oxtails: African American and Caribbean Communities’ Ode to an Ancestral Legacy

    By Cuisine NoirApril 24, 20253 Mins Read
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    Oxtail with hominy. Typical dish of Brazilian cuisine. Photos credit: Flavia Novais
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    Oxtails are a popular dish in both African American and Caribbean soul food, and even though it’s called an oxtail, the tail can be from any type of cattle. Just as pig’s feet and chitlins were considered “throwaway” foods, which enslavers gave those they enslaved, so is the origin of oxtails as being considered a less desirable cut of meat. 

    But our African, African American, Caribbean and South American ancestors learned to cook oxtails in a way that made them a delicious delicacy. The meat’s many bones are full of gelatin, which makes it perfect for slow-cooked dishes like stews. After a few hours of boiling or braising, the meat becomes a very tender dish, which has been loved for centuries.

    Living High on the Ox

    There was a time when oxtails were only sold in soul food restaurants like This Is It Soul Food in Houston, Texas, which sells about 620 pounds of oxtails every week. “We’re known for our oxtails, and our customers say our oxtails are the best on this side of heaven,” exclaims owner Craig Joseph.

    “During slavery, our ancestors learned how to braise it and stew it up and made oxtail soup, smothered oxtails with gravy, and they made it so tender it would fall off the bone,” Joseph states with pride. “We had to be creative and innovative in order to survive.”

    But today, oxtails can be found on the menu of white tablecloth restaurants. As a result, the price of what was once considered a “low-brow” meat has increased. “When my grandfather [the founder of This Is It Soul Food] started cooking oxtails, they were 29 cents a pound. That was back in the 1960s and 70s,” Joseph remembers. 

    “Then they went up to about 50 cents a pound, and now they’re about 14 to 15 dollars a pound!” He adds, “Today, it’s across the board for what race and culture of people are eating oxtail.”

    Global social media has helped to increase the trend of celebrating food from diverse cultures and that has increased the interest in cooking with oxtails, especially among foodies and celebrity chefs who brought even more attention to the versatile meat. 

    An increase in demand causes an increase in price, which decreases the number of people who can afford to enjoy it. In fact, the song “Oxtail Blues” by Jerron Paxton laments the increased cost of a meat that was once only eaten by African Americans. The song starts with, “Can you believe they done made these oxtails so high…and now they sellin’ neck bones that the rich folks buy.” 

    By Kalin Thomas

    Continue reading over at Cuisine Noir.

    oxtails
    Cuisine Noir
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    From great and amazing wine to travel with a purpose, Cuisine Noir Magazine delivers what readers are looking for which is more than where to find the next great meal. And most importantly, it is a culinary publication that complements readers’ lifestyles and desire for a diverse epicurean experience. As the country's first digital magazine that connects the African diaspora through food, drink and travel, Cuisine Noir's history of highlighting the accomplishments of Black chefs dates back to 1998 with its founder Richard Pannell. It later made its debut online in October of 2007 and again in September 2009 with a new look under the ownership of V. Sheree Williams. Over the last ten years, Cuisine Noir has gained global recognition for pioneering life and industry-changing conversations that have been nonexistent in mainstream food media outlets for more than 40 years. In 2016, it received one of its biggest honors by being included in the Smithsonian Channel video on the fourth floor of the National Museum of African American History and Culture Museum (NMAAHC) about the contributions of African Americans to American cuisine.

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    How Museums Are Rebuilding Black Memory

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    How Museums Are Rebuilding Black Memory

    By Veronika Lleshi

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    By Dr. Rev Otis Moss III

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